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・ Sara Oldfield
・ Sara Oliveira
・ Sara Olsson
・ Sara Olsvig
・ Sara Orlesky
・ Sara Johansson
・ Sara Jones
・ Sara Jordan Powell
・ Sara Jorge
・ Sara Josephine Baker
・ Sara Jovanović
・ Sara Joya
・ Sara K.
・ Sara K. Gould
・ Sara Kamil-Yusof
Sara Kathryn Arledge
・ Sara Keane
・ Sara Keays
・ Sara Kestelman
・ Sara Keçeci
・ Sara Khadem
・ Sara Khalili
・ Sara Khan
・ Sara Khan (film actress)
・ Sara Khatun
・ Sara Khoeniha
・ Sara Khoshjamal Fekri
・ Sara Kiesler
・ Sara Killey Memorial Walk
・ Sara King


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Sara Kathryn Arledge : ウィキペディア英語版
Sara Kathryn Arledge

Sarah Kathryn Arledge (September 28, 1911 – 1998) was an American artist first acknowledged for her contributions to Experimental film in the 1940s. She painted throughout her career, and worked in the media of glass slide transparencies which combined attributes of painting and filmmaking that interested her. Her paintings were first exhibited posthumously in the exhibition "The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sarah Kathryn Arledge, Charles Irvin, and Jim Shaw," curated by Irene Tsatos at the Armory Center for the Arts in Pasadena, CA.
"...the films of Sara Kathryn Arledge have received some public and critical recognition; however, her other artworks remain largely unknown.... Her most distinctive, albeit archaic, medium of artistic expression was the glass slide transparency...Arledge adapted 3 /14-by-4-inch glass slides, previously used to document scientific specimens, as 'visual aids' for students. Arledge began by cutting the multicolored stage-light gelatins that she had been using for her film experiments into small pieces, layering them on the glass surface, and then baking the glass 'canvas' in the oven. Once the gels had melted, she created abstract and semiabstract images by drawing on the surface with a variety of objects, including toothpicks, Q-tips, crumpled napkins, toilet paper and Sharpie pens. When Arledge was satisfied with the results and the materials had dried, she affixed another glass slide on top and sealed the four sides with tape, making, in essence, a glass sandwich..."
The fragile nature of this medium led her to make her "stabile color films" between 1978 and 1980 that integrated the slides and sound recordings in such works as "Tender Images," "Interior Garden I," Interior Garden II," and "Iridium Sinus (Cave of the Rainbows). Her most recognized films were "Introspection and "What Is A Man?" Barbara Hammer describes how, "Arledge creates films that combine structural and painterly concerns guided by the emotions.  She represents for us the filmmaker as a whole person, as unified woman, as liver/artist...". Arledge received a Bachelor of Education degree in Art from the University of California Los Angeles in 1936. She taught at the Department of Art at the University of Oklahoma from 1943–44, and at the University of Arizona, Tucson from 1945-46.
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抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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